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Event Series: Festival 2016

Friday
26 August 2016
8:00 pm
Gran Partita

The Gran Partita is one of Mozart’s greatest works, written in 1781 at the height of his powers. It is laid out on the largest scale, with the richest harmonie scoring…

St Mary’s Church,
Stoke by Nayland
Saturday
27 August 2016
5:15 pm
Who do they think they are? The characters in Poppea

A pre-concert talk by Professor Richard Andrews of the University of Leeds

United Reformed Church,
Hadleigh
Saturday
27 August 2016
6:30 pm
Monteverdi: The Coronation of Poppea

We begin The Monteverdi Project, our extended cycle of performances of Monteverdi’s major works, with his last masterpiece, written and performed in the final year of his life…

St Mary’s Church,
Hadleigh
Sunday
28 August 2016
5:15 pm
An Engine of War? The Theorbo in History and Practice

A pre-concert talk by Michael Lowe, master luthier

St James’s Church,
Nayland
Sunday
28 August 2016
6:30 pm
Masters of the Theorbo

The theorbo is the largest and most sonorous member of the lute family, with an extended neck, two sets of strings and two peg-boxes. In this solo recital, Fred Jacobs pairs Kapsberger and de Visée, two of the greatest seventeenth-century composers for the theorbo.

St James’s Church,
Nayland
Monday
29 August 2016
11:00 am
A Blast from the Past

This entertaining lecture recital on double-reed instruments brings the sound world of the courts and cities of Mediaeval, Renaissance and Enlightenment Europe vividly alive. Music by Landini, Machaut, Josquin, Praetorius, Purcell, Telemann and others

St Mary’s Church,
Boxford
Monday
29 August 2016
5:15 pm
Reconstructing Mozart’s Requiem

A pre-concert talk by Richard Maunder

Gainsborough's House,
Sudbury
Monday
29 August 2016
6:30 pm
The Classical Bard and Mozart Requiem

The first half of the concert is a contribution to the 400th anniversary of Shakespeare’s death, exploring music written for his plays by Arne, Linley, Storace, Bishop and Mendelssohn. In the second half, we hear Mozart’s unfinished Requiem, reconstructed by Richard Maunder in Mozart’s late style. The result is a fascinating new insight into a familiar masterpiece.

Sudbury Arts Centre at St Peter's
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