9 December 2018 -
27 May 2019
Winter and Spring concerts 2018-19

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Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

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A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetia

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Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the conce

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Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert cel

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes He

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes Heinrich Schütz’s great four-choir setting of ‘Jauchzet dem Herrn’, published exac

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes Heinrich Schütz’s great four-choir setting of ‘Jauchzet dem Herrn’, published exactly 400 years ago, Johann Staden’s richly scored setting of ‘Duo Seraphim’, and Samuel Scheidt’s monumental setting of the chorale ‘Nun lob mein seel’, the prototype for later chorale cantatas up to Bach.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes Heinrich Schütz’s great four-choir setting of ‘Jauchzet dem Herrn’, published exactly 400 years ago, Johann Staden’s richly scored setting of ‘Duo Seraphim’, and Samuel Scheidt’s monumental setting of the chorale ‘Nun lob mein seel’, the prototype for later chorale cantatas up to Bach.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

&&&

Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes Heinrich Schütz’s great four-choir setting of ‘Jauchzet dem Herrn’, published exactly 400 years ago, Johann Staden’s richly scored setting of ‘Duo Seraphim’, and Samuel Scheidt’s monumental setting of the chorale ‘Nun lob mein seel’, the prototype for later chorale cantatas up to Bach.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure

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Giovanni Gabrieli%%%Magnificat à 12!!!
%%%Suscipe clementissime Deus!!!
%%%Sonata XXI!!!
%%%Sancta et immaculata virginitas!!!
%%%Exultet jam Angelica!!!
%%%Canzon Duodecimi Toni à 10!!!
%%%Dulcis Jesu, patris imago à 20!!!
%%%Buccinate in neomenia tuba à 19!!!
Heinrich Schütz%%%Jauchzet dem Herrn!!!
%%%En novus Elysiis (Syncharma musicum)!!!
%%% Hodie Christus natus est!!!
Johann Staden%%%Duo Seraphim clamabant!!!
Samuel Scheidt%%%Nun lob mein Seel den Herren!!!

&&&

A rare chance to hear some of the grand ceremonial motets and instrumental pieces for divided choirs written by Giovanni Gabrieli for St Mark’s and other Venetian institutions around 1600. They use up to four choirs with voices combined with cornett, sackbuts, dulcians, recorders, Renaissance flute, violin consort, theorboes and organs. The second half of the concert celebrates Gabrieli’s influence in Germany around 1620, and includes Heinrich Schütz’s great four-choir setting of ‘Jauchzet dem Herrn’, published exactly 400 years ago, Johann Staden’s richly scored setting of ‘Duo Seraphim’, and Samuel Scheidt’s monumental setting of the chorale ‘Nun lob mein seel’, the prototype for later chorale cantatas up to Bach.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure


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J.S. Bach arr. Bax%%%Fantasia  BWV 572 from The Harriet Cohen Bach Book (1932)!!!
J.S. Bach arr. Vaughan Williams%%%Ach bleib’ bei uns, Herr Jesu Christ  BWV 649!!!
Brahms%%%Sarabande in A!!!
Mozart%%%Eine Kleine Gigue K.574!!!
Samuel Wesley%%%Sonata with a fugue Op. 3 No. 3, in D!!!
Saint-Saëns%%%Fugue in G Op. 161 No. 3!!!
Mendelssohn%%%Six Preludes and Fugues Op. 35!!!

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Author, broadcaster (notably on Proms Extra) and virtuoso pianist David Owen Norris makes a welcome return to SVF t

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J.S. Bach arr. Bax%%%Fantasia  BWV 572 from The Harriet Cohen Bach Book (1932)!!!
J.S. Bach arr. Vaughan Williams%%%Ach bleib’ bei uns, Herr Jesu Christ  BWV 649!!!
Brahms%%%Sarabande in A!!!
Mozart%%%Eine Kleine Gigue K.574!!!
Samuel Wesley%%%Sonata with a fugue Op. 3 No. 3, in D!!!
Saint-Saëns%%%Fugue in G Op. 161 No. 3!!!
Mendelssohn%%%Six Preludes and Fugues Op. 35!!!

&&&

Author, broadcaster (notably on Proms Extra) and virtuoso pianist David Owen Norris makes a welcome return to SVF to present a specially devised recital exploring the role of counterpoint in J.S. Bach’s music, and the creative ways composers from Mozart to Vaughan Williams responded to it. The programme includes a complete performance of Mendelssohn’s Six Preludes and Fugues Op. 35.

‘a famous thinker/philosopher of the keyboard’ Seattle Times

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48


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J.S. Bach arr. Bax%%%Fantasia  BWV 572 from The Harriet Cohen Bach Book (1932)!!!
J.S. Bach arr. Vaughan Williams%%%Ach bleib’ bei uns, Herr Jesu Christ  BWV 649!!!
Brahms%%%Sarabande in A!!!
Mozart%%%Eine Kleine Gigue K.574!!!
Samuel Wesley%%%Sonata with a fugue Op. 3 No. 3, in D!!!
Saint-Saëns%%%Fugue in G Op. 161 No. 3!!!
Mendelssohn%%%Six Preludes and Fugues Op. 35!!!

&&&

Author, broadcaster (notably on Proms Extra) and virtuoso pianist David Owen Norris makes a welcome return to SVF to present a specially devised recital exploring the role of counterpoint in J.S. Bach’s music, and the creative ways composers from Mozart to Vaughan Williams responded to it. The programme includes a complete performance of Mendelssohn’s Six Preludes and Fugues Op. 35.

‘a famous thinker/philosopher of the keyboard’ Seattle Times

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure



Winter & Spring Series Season Ticket




Winter & Spring Series Season Ticket



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Winter & Spring Series Season Ticket



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J.S. Bach%%%Christmas O


Winter & Spring Series Season Ticket



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J.S. Bach%%%Christmas Oratorio: Cantata


Winter & Spring Series Season Ticket



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J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61


Winter & Spring Series Season Ticket



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J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach.


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chora


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity,


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure


Winter & Spring Series Season Ticket



&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chora

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb b

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure

&&&

J.S. Bach%%%Christmas Oratorio: Cantatas 2 & 4!!!
%%%Cantata 61: Nun komm, der Heiden Heiland!!!
%%%Cantata 65: Sie werden aus Saba alle kommen!!!

&&&

A richly rewarding musical journey through the Christmas season with Johann Sebastian Bach. Cantata 61 offers a dramatic setting of Martin Luther’s Advent chorale and Cantatas 2 & 4 of the Christmas Oratorio deal with episodes of the Nativity, featuring respectively a pastoral choir of woodwind instruments and hunting horns. The superb but little known Cantata 65 uses horns,recorders, oboes da caccia and strings to depict the exotic world of the Wise Men.

Tickets £18 (reserved), £12 (unreserved)
Reserved seats for all three concerts (9 December, 7 April & 27 May) £48

2018-19 Winter and Spring concerts brochure

St Mary's Church, Dedham Sunday 9 December 2018
BACH AT CHRISTMAS 6 pm
Claire Coleman soprano, William Wallace tenor, Jolyon Loy baritone, Psalmody, SVF Children's Choir, Essex Baroque Orchestra, directed by Peter Holman
Ticket options
Winter &, Spring Series Season Ticket
 
St Mary's Church, Boxford Sunday 7 April 2019
BACH’S LEGACY 6 pm
David Owen Norris Broadwood pianoforte,
Ticket options
 
St Peter's, Sudbury Monday 27 May 2019
VENETIAN SPLENDOUR 6 pm
Psalmody, The John Jenkins Consort, directed by Peter Holman
Ticket options